Teatro Romano e il Triggio
Benevento
KnownHistory & archaeology
The story
The great Hadrianic theatre opens up all at once among the alleys of the Triggio, the oldest quarter, where Roman stone and medieval houses blur into one another.
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More gems in Benevento
◆ Sacred artHortus Conclusus
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In the garden of the San Domenico convent, the bronzes of Mimmo Paladino: a horse in a golden mask among ancient capitals and fountains, in a garden suspended between myth and meditation.
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On the ancient Via Appia the stone arches stride across the river Sabato: the same threshold that travellers bound for Rome once crossed to enter Benevento.
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Golden marble carved dense with reliefs, the arch that celebrated Trajan still marks the entrance to the road that led toward Brindisi and the East.
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A Lombard church with a star-shaped plan, a World Heritage site, where columns and arches trace an unusual geometry left almost intact for over a thousand years.
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The medieval cloister of Santa Sofia, a UNESCO site, with its forty-seven columns that weave together real and fantastic figures, holds the layered memory of the Sannio.
- ◆ Museums
ARCOS — Museo d'arte contemporanea Sannio
Benevento (BN)
Beneath vaults of tufo (volcanic tuff), in the underground spaces of a former air-raid shelter, the contemporary art of the Sannio dialogues with the Egyptian treasures of the temple of Isis.
More gems: History & archaeology
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A river god reclining for centuries in a quiet square, whom Neapolitans call the Corpo di Napoli: he leans his bearded head among putti and a sphinx.
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A small Renaissance temple on the decumanus, which the humanist Pontano had raised for his lost wife, still lined inside with Latin inscriptions dictated by his grief.
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On the corner of a small Spaccanapoli square survives the seat of the old Nilo quarter, where the nobles once gathered before the sedili of Naples vanished.
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A seventeenth-century arch cut into the walls leads to the booksellers' street, where stalls of second-hand volumes pile up among yellowed pages and the shade of the old city.
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zona Garibaldi
Between two cylindrical towers an arch of white marble opens like a Renaissance triumph, the old city gate facing the road to Capua.
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An eighteenth-century colossus willed by Charles of Bourbon to shelter the poor of the Kingdom: a façade running more than three hundred metres, among the largest historic buildings in Europe.